J F Hoogervorst - translation to English
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J F Hoogervorst - translation to English

ENGLISH ORIENTALIST PAINTER
J F Lewis; J. F. Lewis
  • ''An Armenian lady, Cairo – The love missive'', 46 × 35 cm, oil on panel, 1855. The young woman in the background was reworked as a standalone subject in ''The Coffee Bearer'', two years later.
  • ''A Frank Encampment in the Desert of Mount Sinai – 1842 – The Convent of St. Catherine in the Distance'', showing English aristocrats on a tour, watercolour, 1856
  • ''The Reception'', 1873, version in oils, using drawings of Lewis' house in Cairo, which he had left over 20 years before<ref>Weeks; Tromans, 25&ndash;27</ref>
  • ''The Coffee Bearer'', oil (1857)
  • A photo from the late 1860s
  • The Harem - Introduction of an Abyssinian slave, 1860s version

f-number         
  • Diagram of decreasing [[aperture]]s, that is, increasing f-numbers, in one-stop increments; each aperture has half the light-gathering area of the previous one.
  • Shallow focus with a wide open lens
  • 823 px
  •  A 1922 Kodak with aperture marked in U.S. stops. An f-number conversion chart has been added by the user.
  • Yashica-D TLR]] camera front view. This is one of the few cameras that actually says "F-NUMBER" on it.
  • From the top, the Yashica-D's aperture setting window uses the "f:" notation. The aperture is continuously variable with no "stops".
RATIO OF THE FOCAL LENGTH TO THE DIAMETER OF THE ENTRANCE PUPIL
F/stop; F stop; F number; F-stop; Focal ratio; F-Stop; F-Number; Relative aperture; F stops; T stop; Fstop; Relative Aperture; Working f-number; Tstop; Tstops; T-stops; T-stop; T stops; F-stops; F/number; Half stop; Stop number; T-stop system; F Number; F/; Ƒ-number; Transmission stop; T-number (photography); T number (photography); H stop; H-stops; H-stop; H stops; H number (photography); H-number (photography); F/11
f-getal (aanduiding van lichtsterkte van lens)
J curve         
  • NARDL (Cumulative Dynamic) Multiplier effect of real effective exchange rate and response of US trade balance
  • An example J curve. Trade starts in perfect balance, but depreciation at time 0 causes an immediate trade deficit of 50 million dollars. The balance of trade improves over time as consumers react, returning to balance at month 3 and rising to a surplus of 150 million at month 4.
THE TIME PATH OF A COUNTRY’S TRADE BALANCE FOLLOWING A DEVALUATION OR DEPRECIATION OF ITS CURRENCY, UNDER A CERTAIN SET OF ASSUMPTIONS
J Curve; J-curve; J curve (private equity); J-Curve theory; J-curve theory; J curve theory; J-cuve; J frequency distribution curve; J-Curve Effect; J-curve effect; J Curve Effect; J curve effect; J-Curve; J-shaped growth curve; J-shaped curve
n. J-curve, curve die verhouding tussen export en muntwaarde weergeeft (economie)
L L Cool J         
  • LL Cool J performing in [[Wilmington, Delaware]] in August 2008
AMERICAN RAPPER AND ACTOR
L.L. Cool J.; L.L. Cool J; James Todd Smith; LL cool J; Ll cool j; L L Cool J; Ll cool; James Todd Smith III; Ladies Love Cool James; LL Kool J; LL Cool J.; I Need a Beat; LL Cool Jay; I Need A Beat; Boomdizzle; LLCJ; Cool J
n. (geboren in 1869 als James Todd Smith) Amerikaans rapmusicus en filmacteur

Definition

F
F1
(also f)
¦ noun (plural Fs or F's)
1. the sixth letter of the alphabet.
2. denoting the next after E in a set of items, categories, etc.
3. Music the fourth note of the diatonic scale of C major.
--------
F2
¦ abbreviation
1. Fahrenheit.
2. farad(s).
3. Chemistry faraday(s).
4. (in racing results) favourite.
5. female.
6. fighter (in designations of US aircraft types).
7. Biology filial generation.
8. Brit. fine (used in describing grades of pencil lead).
9. (in motor racing) formula.
10. Franc(s).
11. France (international vehicle registration).
12. (in tables of sports results) goals or points for.
¦ symbol
1. the chemical element fluorine.
2. Physics force.

Wikipedia

John Frederick Lewis

John Frederick Lewis (1804–1876) was an English Orientalist painter. He specialized in Oriental and Mediterranean scenes in detailed watercolour or oils, very often repeating the same composition in a version in each medium. He lived for several years in a traditional mansion in Cairo, and after his return to England in 1851 he specialized in highly detailed works showing both realistic genre scenes of Middle Eastern life and more idealized scenes in upper-class Egyptian interiors with little apparent Western influence.

His very careful and loving representation of Islamic architecture, furnishings, screens, and costumes set new standards of realism, which influenced other artists, including the leading French Orientalist painter Jean-Léon Gérôme in his later works. Unlike many other Orientalist painters who took a salacious interest in the women of the Middle East, he "never painted a nude", and his wife modelled for several of his harem scenes. These, with the rare examples by the classicist painter Lord Leighton, imagine "the harem as a place of almost English domesticity, ... [where] ... women's fully clothed respectability suggests a moral healthiness to go with their natural good looks".